Photek is a drum and bass artist that was much used in the 1990s as a remixer of more downtempo artists in other genres, particularly following his “HiddenCamera” release. I only really know his work through those remixes.

Though Goldie became the first superstar of jungle, the recordings of Rupert Parkes — as Code of Practice, Aquarius, Studio Pressure, the Truper and Sentinel, but most famously as Photek — made him an easy pick for the style’s most artistic and intelligent producer. Working his way through street-level hardstep (on early productions for Certificate 18 and Street Beats) and airy, sub-aquatic “dolphin” tunes for L.T.J Bukem’s Good Looking label, Parkes finally arrived at a sound that pushed the bounds of drum’n’bass from the dancefloor into the realm of breakbeat headspace; unlike most jungle producers, Parkes has never DJed and rarely goes to clubs. His incredibly intricate rhythm programming — often requiring weeks of computer preparation — and the unmissable aura of paranoid menace on recordings such as “The Hidden Camera” and “UFO” exerted quite an influence on the return of dark-style drum’n’bass during the late ’90s.

As a teenager, Parkes listened to electro, techno and hip-hop as well as the more free-form side of jazz and fusion. Thanks to a sampler bought with a £2000 loan from the Trust of the Prince of Wales, he began producing tracks and first appeared on Paul Solomon’s Certificate 18 Records with singles as Studio Pressure. He also recorded for Basement (as Sentinel) and Street Beats (the Truper) before initiating a series of 12-inch singles for his own Photek Records, which gave him credentials and led to releases on Goldie’s Metalheadz label and L.T.J. Bukem’s Good Looking, as well as a remix of the Therapy? single “Loose.”

After Parkes had released more than 80 tracks of drum’n’bass on half a dozen labels, he was approached by Virgin and signed to a five-album deal with the label’s Science imprint (provided he was allowed to continue recording for other independent labels as well). Parkes’ first release on Science was The Hidden Camera EP, which appeared in May 1996. The second Science single “Ni-Ten-Ichi-Ryu” displayed an increasing interest in applying the lessons of martial arts to his programming (the title is Japanese for “two swords, one technique”). Virgin compiled the latter two releases on 1997’s Risc Vs. Reward, then released the debut Photek album Modus Operandi in September 1997. Much-hyped though little-praised, the album was followed by 1998’s Form & Function, a compilation including several original Photek Records tracks plus remixes and new tracks. During the next two years, Parkes focused on his new Photek Productions label, and finally released a second LP, Solaris, in 2000. ~ John Bush, All Music Guide

Photek – Ni Ten Ichi Pyo  

Zero 7 – Destiny (Photek Remix)  

Everything But The Girl – Single (Photek Remix)  

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~ by acidted on October 29, 2009.

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